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Modes of sonic interaction in circus: Three proofs of concept
KTH, School of Computer Science and Communication (CSC), Media Technology and Interaction Design, MID. (Sound and Music Computing).ORCID-id: 0000-0002-2659-0411
Stockholms konstnärliga högskola, Institutionen för cirkus. Stockholms konstnärliga högskola, Forskningscentrum. (Gynoïdes Project)ORCID-id: 0000-0002-4470-0952
KTH, School of Computer Science and Communication (CSC), Media Technology and Interaction Design, MID. (Sound and Music Computing).ORCID-id: 0000-0002-5108-7033
KTH, School of Computer Science and Communication (CSC), Media Technology and Interaction Design, MID. (Sound and Music Computing).ORCID-id: 0000-0002-3086-0322
2014 (Engelska)Ingår i: Proceedings of the ICMC | SMC |2014 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference: Music Technology Meets Philosophy: From digital echos to virtual ethos / [ed] A. Georgaki and G. Kouroupetroglou (Eds.), Athens: The International Computer Music Association, The Sound and Music Computing Steering Committe, The Institute for Research on Music & Acoustics , 2014, s. 1698-1706-Konferensbidrag, Publicerat paper (Refereegranskat) [Forskning på konstnärlig grund]
Abstract [en]

The art of circus is a vibrant and competitive culture that embraces new tools and technology. In this paper, a series of exploratory design processes resulting in proofs of concepts are presented, showing strategies for effective use of three different modes of sonic interaction in contemporary circus. Each design process is based on participatory studio work, involving professional circus artists. All of the proofs of concepts have been evaluated, both with studio studies and public circus performances, taking the work beyond theoretical laboratory projects and properly engaging the practice and culture of contemporary circus.The first exploration uses a contortionist’s extreme bodily manipulation as inspiration for sonic manipulations in an accompanying piece of music. The second exploration uses electric amplification of acoustic sounds as a transformative enhancement of existing elements of circus performance. Finally, a sensor based system of real-time sonification of body gestures is explored and ideas from the sonification of dance are translated into the realm of circus.

Ort, förlag, år, upplaga, sidor
Athens: The International Computer Music Association, The Sound and Music Computing Steering Committe, The Institute for Research on Music & Acoustics , 2014. s. 1698-1706-
Nyckelord [en]
contemporary circus, sonification, sonic art
Nationell ämneskategori
Scenkonst
Forskningsämne
Konstnärliga praktiker
Identifikatorer
URN: urn:nbn:se:uniarts:diva-1158OAI: oai:DiVA.org:uniarts-1158DiVA, id: diva2:1654397
Konferens
Sound and Music Computing Conference 2014
Projekt
Gynoïdes ProjectSound of CircusTillgänglig från: 2022-04-27 Skapad: 2022-04-27 Senast uppdaterad: 2022-04-29Bibliografiskt granskad

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Modes of sonic interaction in circus: Three proofs of concept(16185 kB)135 nedladdningar
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Modes of sonic interaction in circus: Three proofs of conceptProceedings of the ICMC | SMC |2014 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference  

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Av författaren/redaktören
Elblaus, LudvigRobitaille, Marie-Andrée RobitailleGoina, MaurizioRoberto, Bresin
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Institutionen för cirkusForskningscentrum
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Totalt: 135 nedladdningar
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