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Levandegörandets poetik: På spaning efter musikdramat Gränsland och transformationen av dramat via text, vokalt och instrumentalt agerande
Stockholm University of the Arts, University College of Opera.
2020 (Swedish)Doctoral thesis, monograph (Other academic) [Artistic work]Alternative title
The poetics of enlivening : Searching for the music drama Borderlands and the transformation of the drama through text, vocal and instrumental acting (English)
Abstract [en]

From the librettist’s perspective, the traditional working methods which tend to dominate in the creation of new music drama, often result in a situation where the initial intentions are lost along the way. How can we get away from a rigid methodology, where the different professionals involved in the creation of new music drama have to succumb to a procedure which can be likened to a whispering game? A procedure, where the dramatic content, rather than undergoing an emotional enrichment in its transformation into music, often loses the crucial connections to the initial intentions. This doctoral project aims to reach beyond the whispering game by seeking alternative working methods in the creation of a new music drama with the working title "Borderlands", circling around the subject matter of flight and borders - inner as well as outer. The research identified cross–border methods which, borrowing from the terminology of Martin Buber, can be seen as an attempt to counteract the “I–It” relationship that often results from the genre’s focus on virtuosity. The results might inspire further attempts to find alternative working methods which could ultimately create a stronger “I–Thou” relationship between the performance and the audience.

Place, publisher, year, edition, pages
Stockholm: Stockholms konstnärliga högskola , 2020. , p. 256
Series
X Position, ISSN 2002-603X;9 ; 9
Keywords [en]
opera, libretto, music and text, dramaturgy, music drama, cross-border methods, collaborative processes, reciprocal processes, sketches, phenomenological method, intentionality, common intentionality, emotional figured bass, the terrain map, physical poetry, vocal acting, instrumental acting, synergy, synesthetic connections, the transformation navigator, the third image, emotional gesticulation, emotional enrichment, I–Thou, I–It
Keywords [sv]
opera, libretto, text, dramaturgi, musikdramatik, transformation, gränsöverskridande metoder, kollaborativa processer, reciproka processer, skisser, fenomenologisk metod, intentionalitet, gemensam intentionalitet, känslomässig generalbas, terrängkartan, fysikalisk poesi, vokalt agerande, instrumentalt agerande, synergi, synestetiska samband, transformationsvägvisare, den tredje bilden, emotionell gestikulation, emotionell anrikning, Jag–Du, Jag–Det
National Category
Performing Arts Music
Research subject
Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts
Identifiers
URN: urn:nbn:se:uniarts:diva-650Libris ID: w77c0rh0t73vqw1fISBN: 978-91-88407-17-7 (electronic)ISBN: 978-91-88407-19-1 (print)OAI: oai:DiVA.org:uniarts-650DiVA, id: diva2:1411000
Public defence
2020-04-03, Hugoteatern, Teknikringen 35, Stockholm, 13:00 (Swedish)
Opponent
Supervisors
Available from: 2020-03-02 Created: 2020-03-02 Last updated: 2020-04-02Bibliographically approved

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På spaning efter Gränsland(2644 kB)28 downloads
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The poetics of enlivening. Searching for the music drama "Borderlands"
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