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Expanding Sound Design in Performing Arts
Stockholms konstnärliga högskola, Forskningscentrum.ORCID-id: 0000-0002-4407-2597
2022 (engelsk)Inngår i: Critical Stages/Scènes critiques, E-ISSN 2409-7411, Vol. 25Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

The new audio technologies available today are forces in the evolution of sound and music in contemporary performing arts. New sonic practices for sound designers, composers and performers emerge, which in turn change the creative processes for productions, as well as the aesthetics of performances. This article focuses on how a creative rethinking of work with immersive sound, virtual room acoustics and sonic spatialization can be a dramaturgical, compositional and scenographic tool for performing arts. It is a new sonic practice that offers interactive and immersive elements that interplay with performers, transforms spaces and shapes evocative experiences for the audience. The article particularly considers the creative perspectives of the composer and the sound designer in how new ideas and possibilities may unfold with such an approach. This may ultimately merge the often-separated practices of musical composition and sound design and further expand them towards scenography and dramaturgy.

sted, utgiver, år, opplag, sider
Paris, 2022. Vol. 25
Emneord [en]
Sound design, performing arts, sonic scenography, new audio technology, musical composition, dramaturgy, theatre music
HSV kategori
Forskningsprogram
Konstnärliga praktiker
Identifikatorer
URN: urn:nbn:se:uniarts:diva-1378OAI: oai:DiVA.org:uniarts-1378DiVA, id: diva2:1755231
Tilgjengelig fra: 2023-05-06 Laget: 2023-05-06 Sist oppdatert: 2023-05-10bibliografisk kontrollert

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https://www.critical-stages.org/25/expanding-sound-design-in-performing-arts/

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