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From Individual Concentration to Publically Shared Attention: On Experiences of Self, Subjectivity and Others in Contemporary Circus
Stockholms konstnärliga högskola, Institutionen för scenkonst.ORCID-id: 0000-0001-6441-9124
2021 (engelsk)Inngår i: Manegenkünste: Zirkus als ästhetisches Modell / [ed] Margarete Fuchs, Anne-Sophie Jürgens, Jörg Schuster, Bielefeld: Transcript Verlag, 2021Kapittel i bok, del av antologi (Fagfellevurdert) [Kunstnerisk arbeiden]
Abstract [en]

As a circus practitioner, I have spent far mor hours training alon than in front of an audience. Nevertheless, the work of a circus artist is often discussed and understood on the basis of the public situation of performance. This chapter adresses the following questions: how come that this meditative concentrated training, where the internal sensations of the body are totally in focus, passes so well into the public situation of performance? How come that these, often solitary, practices can become so prone to spectacle? 

sted, utgiver, år, opplag, sider
Bielefeld: Transcript Verlag, 2021.
HSV kategori
Forskningsprogram
Konstnärliga praktiker
Identifikatorer
URN: urn:nbn:se:uniarts:diva-1627ISBN: 3837641481 (tryckt)OAI: oai:DiVA.org:uniarts-1627DiVA, id: diva2:1829604
Tilgjengelig fra: 2024-01-19 Laget: 2024-01-19 Sist oppdatert: 2024-01-26bibliografisk kontrollert

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