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36 fuck up’s not to make in a film production: an examination between authenticity and compromise in a film production
Stockholms konstnärliga högskola, Film och media.
2024 (engelsk)Independent thesis Advanced level (degree of Master of Fine Arts (Two Years)), 20 poäng / 30 hpOppgave [Kunstnerisk arbeiden]
Abstract [en]

How should I proceed myself? First, I need to delve a bit deeper into my owninterpretations of the words I use to describe the practice of a skill. For example: What isauthenticity? When does the team feel that I, as a director, am using an authentic voice?Am I authentic when I approach the actors? Am I truly listening to the team and theactors? Am I capable of recognizing an authentic voice? What makes a good film? Whatmakes a good performance? What makes a bad performance?The relationship between a film director and their actors is a crucial factor in the filmproduction process. A director's approach to working with actors can have a significantimpact on the final outcome as well as on the actors' overall experience. A common methodis for the director to have a practical and collaborative relationship with their actors. Thismay involve giving specific instructions and guidance on character development andperformance, as well as working closely with the actors during rehearsals and sceneblocking. Some directors may also use improvisation and experimentation as a way to findthe most effective performance from their actors. Other directors take a more hands-offapproach, allowing their actors more freedom to interpret their characters and contributetheir own ideas. This can lead to a more organic, spontaneous performance, but it alsorequires a lot of trust and communication between the director and the actors. Regardlessof the specific method, it is important for a director to have a clear vision for their film andto be able to communicate this vision effectively to their actors. This may involve providingcontext and background information about the characters and the story, as well as givingfeedback on performance and making adjustments as needed. Ultimately, the most effectivedirectors are those who can build a positive and collaborative relationship with their actorsand who can bring out the best in their performances through clear communication and ashared understanding of the film's goals. So, the director's relationship with the actors is avery important factor in the film production process. There are several ways that a filmdirector can bring out the best in an actor: Clear communication: It is important for adirector to clearly communicate their vision for the film and the specific character the actoris playing. This may involve providing context and background information, as well asgiving specific feedback on performance. Rehearsals: Rehearsals can be an effective way for adirector to work with actors to refine their performances and ensure they align with theoverall vision for the film. Collaboration: A director can foster a positive and collaborativerelationship with their actors by inviting them to contribute their own ideas and by beingopen to their input. This can create a sense of trust and mutual respect, which can lead tobetter performances. Trust: Trust is an essential component of the relationship between thedirector and the actor. A director who trusts their actors and allows them to interpret theircharacters in their own way can often bring out their best performances. Support: Adirector who provides support and encouragement to their actors can help build theirconfidence and inspire them to give their best. This can include providing feedback,offering constructive criticism, and offering encouragement. Finally, the most effective directors are those who can build positive, collaborative relationships with their actors andcreate an environment where the actors feel comfortable and supported, which can lead tothe best possible performances.

sted, utgiver, år, opplag, sider
2024. , s. 69
Emneord [sv]
Filmproduktion, filmfoto, filmpsykologi, regi, skådespeleri, filminspelning, filminspelningar, regissör, regissörsyrke
HSV kategori
Identifikatorer
URN: urn:nbn:se:uniarts:diva-1967OAI: oai:DiVA.org:uniarts-1967DiVA, id: diva2:1906766
Presentation
2024-05-30, 14:23
Uppsök
Fine Art
Veileder
Examiner
Tilgjengelig fra: 2024-10-23 Laget: 2024-10-18 Sist oppdatert: 2024-10-23bibliografisk kontrollert

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36 fuck up’ s not to make in a film production(753 kB)11 nedlastinger
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