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On Temperament, Steps and other Apparatuses of my Choreographic Practice:
Stockholm University of the Arts, Dance Department.
2018 (English)Independent thesis Advanced level (degree of Master (Two Years)), 10 credits / 15 HE creditsStudent thesis [Artistic work]
Abstract [en]

Similarly to how I write dance, my approach to writing this essay will be descriptive, in such a way developed by Simon Hecquet and Sabine Prokhoris in their book Fabriques de la Danse1. Description for them is a way to construct gazes or manners of seeing2 and not merely the communication of a preexisting gaze. In such, it is a mode of giving accounts to another as well as to oneself. In this giving of accounts, my aim is to dissect some of the choreographic apparatuses I have been developing throughout the years, analyse what they do and if they are useful in fulfilling what I want my work to do. This essay will consider my entire body of works and will especially focus on the current work ’d he meant vary a shin’s, a dance trio for Eva Honings, Lena Schattenberg and myself.

Place, publisher, year, edition, pages
2018. , p. 20
Keywords [en]
Samuel Feldhandler, Dance, Choreography, Steps, Temperament
Keywords [sv]
koreografi, dans
National Category
Arts Performing Arts
Identifiers
URN: urn:nbn:se:uniarts:diva-369OAI: oai:DiVA.org:uniarts-369DiVA, id: diva2:1211373
Presentation
2018-05-23, Stockholm, 15:30 (English)
Examiners
Available from: 2018-06-01 Created: 2018-05-30 Last updated: 2018-06-01Bibliographically approved

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The full text will be freely available from 2018-07-01 16:02
Available from 2018-07-01 16:02

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