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I speak, I lie, I admit
Stockholm University of the Arts, Dance Department.
2018 (English)Independent thesis Advanced level (degree of Master (Two Years)), 10 credits / 15 HE creditsStudent thesis [Artistic work]
Abstract [en]

This essay accompanies Hokuto Kodama’s choreographic work Untitled (I speak, I lie, I admit), following its creation process. Through investigating the process of subjectivation of dancers using the theory of Michel Foucault, the essay questions the conventional tendency to ignore the relationship between linguistic activity and choreographed dance. The argument moves on to criticize the naïve view that takes silent image as innocent, through the image analysis of Roland Barthes. This critique is combined with careful analysis of the system in which performative utterance works, making it possible to discuss performativity of image and act through the works of Jacques Derrida and Judith Butler. This speculation meets with Foucault’s idea of government, leading the argument back to the system of societal constitution of subject through performance. The essay closes with an emphasis for the importance to resist against performativity of mass-information that shapes our perception, under the current society of control.

Abstract [ja]

このエッセイは児玉北斗作品「Untitled (I speak, I lie, I admit)」とその制作プロセスに沿って展開される。まず、ミシェル・フーコーの主体化論を通し、言語と振り付けられたダンスの隔離に疑問が付される。次に、言語を伴わない沈黙したイメージでさえ無害ではない、という仮説がロラン・バルトの写真論から導き出される。この説は発話のパフォーマティヴィティに関する分析と交わり、ジャック・デリダやジュディス・バトラーの論を踏まえた上で、イメージと行為のパフォーマティヴィティという議論にまで発展する。この議論がフーコーの統治性という概念と出会い「パフォーマンス」を通した主体化という主題が検討され、エッセイの最後には、現代の「管理社会」下で我々の知覚を形成する、大量生産された情報へ抵抗することの重要性が示される。

Place, publisher, year, edition, pages
2018. , p. 22
Keywords [en]
choreography, dance, ballet, performance, Foucault, subjectivity, identity, performativity, Butler, Derrida, Barthes
Keywords [sv]
koreografi, dans
National Category
Arts Performing Arts
Identifiers
URN: urn:nbn:se:uniarts:diva-367OAI: oai:DiVA.org:uniarts-367DiVA, id: diva2:1211471
Educational program
Choreography
Presentation
2018-05-22, Room F, DOCH, Brinellvägen 58, Stockholm, 10:00 (English)
Supervisors
Examiners
Note

This essay accompanies the performance "Untitled (I speak, I lie, I admit)".

Available from: 2018-06-01 Created: 2018-05-30 Last updated: 2018-06-01Bibliographically approved

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Kodama_DOCH_MAKOR18.pdf(3940 kB)7 downloads
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Type fulltextMimetype application/pdf

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