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Rörelsen först: om regi för rörelsebaserad scenkonst
Stockholm University of the Arts, The Department for Acting.
2018 (Swedish)Book (Refereed) [Artistic work]
Abstract [sv]

Att göra uppsättningar som har rörelse som bas innebär på många sätt att ge sig ut i ett icke beforskat landskap.  Det som ska utspelas på scenen har oftast sitt upphov i en rörelsebaserad idé och inte i en redan skriven text som ska analyseras.  Hur kan detta arbete gå till? Var finns utmaningarna och vilka metoder kan man använda?

Lena Stefenson har skrivit denna bok utifrån egna erfarenheter som koreograferande regissör med exempel från olika uppsättningsarbeten samt egen och andras undervisning. Texten handlar om hur man kan skapa de förhöjda rörelserna i en uppsättning. Hur kan man arbeta med tema? Med berättelse? Förhållandet rörelse/text? Vad kan det innebära att vara koreograf/regissör för en rörelseuppsättning? Hur går de sista repetitionsveckorna till?

Boken riktar sig till den som är, eller vill bli, koreograferande regissör eller aktör inom den rörelsebaserade scenkonsten med former som dans, mim och cirkus. Den riktar sig även till den som rent generellt vill göra sitt sceniska arbete mer fysiskt.

Abstract [en]

 

Making performances that have movement as a base means in many ways to venture out into an unexplored landscape. What is to be played on stage usually has its origin in a movement-based idea and not in an already written text to be analyzed. How can this work go? Where are the challenges and what methods can be used?

Lena Stefenson has written this book on the basis of her own experiences as a choreographing director with examples from various works as well as her own and others' teaching. The text is about how to create the elevated movements in a performance. How to work with theme? With story? What is the relation between text and movement? What does it mean to be a choreographer / director for a movement-based work? How are the last rehearsal weeks going?

The book is aimed at anyone who is, or wants to become, a choreographing director or actor in the movement-based performing arts with forms such as dance, mime and circus. It is also aimed at those who generally want to make their scenic work more physical.

Place, publisher, year, edition, pages
Stockholm: Stockholms konstnärliga högskola , 2018. , p. 116
Keywords [sv]
Rörelse, scenkonst, mim, teater, pedagogik
National Category
Performing Arts Pedagogical Work
Research subject
Artistic practices
Identifiers
URN: urn:nbn:se:uniarts:diva-516Libris ID: hr26gpx3f836517gISBN: 9789188407092 (print)OAI: oai:DiVA.org:uniarts-516DiVA, id: diva2:1273109
Projects
Konstnärligt utvecklingsarbeteAvailable from: 2018-12-20 Created: 2018-12-20 Last updated: 2019-09-05Bibliographically approved

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CiteExportLink to record
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