Hanna Normann and her artistic team will present the concept of stalking, examining who is stalking who. Stalking as a phenomenon, I ask myself as an actress: Audience as a stalker or actress as a stalker? Who is stalking who? - Who is dependent on whom? What do "the gaze of the audience" and "the gaze of the actress" look like when I start working with their conventions? As an actor/actress, how do I get the feeling of being equal to the audience? I ask myself, "How come I feel a sense of relief from not creating directly in front of an audience in the same time and space?" What is it? Why do I feel a greater desire to create in front of the camera and capture what is called the present and what is called presence on film instead of on a stage in direct connection with an audience? What does the audience expect from the actor if I challenge the audience, the traditional theater space, and the traditional meeting that occurs on stage between the actor and the spectator? How do I create the "now" in a different discipline? How long does one "now" last? How do I catch one "now"?