In Approximations, Visual and performance artist Darko Dragičević and dancer and choreographer Martin Sonderkamp investigate the simultaneity of two processes: the unfolding of existing and absent space into a bodily interior and the expansion and drawing of an inner space into a spatial exterior. Space and body are situated as equal-ranking actors, and movement and visual language are disassembled into elementary, choreographic particles. Via reciprocal inscriptions, the performers negotiate their potential scope of action. Affective-sensory feedback loops generate the concrete form of their visceral and visual dialogue. Each performance leaves its distinct marks in space; each consecutive performance uses the preceding one as a starting point and superimposes new layers of marks and traces.