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  • 1.
    Bergsmark, Ester Martin
    Stockholms konstnärliga högskola, Institutionen för film och media.
    voice under2023Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    If voice over is the superior voice that dictates truth, I examine voice under, the other truths that take place simultaneously. In my doctoral thesis voice under, I explore all the parallel voices beyond the dominating all-knowing voice over. The intention of the project and concept voice under is to open up a wider sensory register in both the creation and the experience of film. By looking closely at, challenging, and playing with different cinematic conventions, I explore how we can recreate seemingly dominant expressions and find spaces for resistance, although temporary. This document outlines the different modes of publication of the doctoral thesis voice under. voice under consists of two branches: film and text.

    The Documented Artistic Research Project (Doctoral Thesis) voice under will be made public and archived on September 1, 2023, through the following three materials:

    1. Welcome to voice under folder

    2. Performative contemplative film screening

    3. The book voice under, consisting of a collection of texts

    Fulltekst (pdf)
    Registration sheet (Spikblad)
    Fulltekst (pdf)
    Instructions for performative film screening
    Fulltekst (pdf)
    Folder - Invitation to voice under
    Fulltekst tilgjengelig fra 2025-02-01 16:37
  • 2.
    Dybwad Brandrud, Marius
    Stockholms konstnärliga högskola, Institutionen för film och media.
    Örat nära munnen: samtal mellan film och filosofi2024Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [sv]

    Doktorandprojektet är en studie i och genom filmiska samtal. Det genomförs i relation till samtalets roll i lärandet av filosofi. Medan filosofi oftast antar individuellt skriven form studeras hur filmiska samtal kan fungera som filosofiskt uttryck, främst utifrån filmen Samtal om samtal som är projektets huvudmaterial. Filmen börjar i ett försök att prata om hur vi pratar med varandra på seminariet, och i en förlängning hur det kan bestämma vilken filosofi som alls blir möjlig: Vem talar och vem lyssnar? Vilka erfarenheter räknas och vilka idéer är välkomna? Samtidigt är samtalet inte bara av intresse som praktik utan också som uttryck. Ibland sägs något i samtalet som inte skulle bli sagt annars. Vad skulle hända om samtal, som ett slags gemensamt sägande, kunde utgöra ett filosofiskt uttryck i egen rätt, liksom den individuellt skrivna texten? Hur skulle ett sådant uttryck i så fall alls kunna ta form? Skulle det kunna göras med film? I och genom studiens filmiska samtal leder detta också vidare till frågor om representation och ansvar: Vad är det att göra film om eller med någon? Hur påverkas de som är del av en film och vad gör den på egen hand? Vad är det att ta ansvar i det filmiska arbetet och för den film som blir till? Utöver Samtal om samtal läggs texten Eftertext fram. Den försätter studien kring samma frågeställningar, men försöker därigenom också svara an till det filmiska arbetet i Samtal om samtal. Eftertext hänvisar även till filmerna Ett jag som säger vi och Rehearsals samt dokumentet Transkription. Dessa ingår som appendix då de utgör delstudier i arbetet med Samtal om samtal.

    Fulltekst (pdf)
    Doktorandprojektet
    Download (pdf)
    Registreringsblad
  • 3.
    Engberg, Mia
    Stockholms konstnärliga högskola, Institutionen för film och media.
    Darkness as Material2023Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    The doctoral project Darkness as Material, examines darkness as material and its relationship to cinematic storytelling. The study addresses different kinds of darkness: darkness in the image, darkness in the cinema theatre, darkness in the spectator where films are received and the darkness in the filmmaker, where the world is reflected and ideas are born. The project is inspired by Marguerite Duras' idea to kill cinema, and it explores film's potential to approach the place she described as the dark room, where we are deaf and blind and passion is possible.

    Fulltekst (pdf)
    Darkness as material / (eng)
    Fulltekst (pdf)
    Darkness as material / (swe)
    Download (pdf)
    spikblad
    Download (mp4)
    Secrets of the sun
  • 4.
    Lindeen, Marcus
    Stockholms konstnärliga högskola, Institutionen för film och media.
    Staged Conversations: Using dialogue as both method and form when staging documentary material for theater and film2024Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    Between 2017 and 2024, I have conducted an artistic research PhD project at Stockholm University of the Arts resulting in a feature length documentary film (The Raft, 2018), a documentary based theater play (The Invisible Adventure, 2020) and a book with my work diaries documenting the process of creating the two works (Staged conversations, 2024). The research project focuses on using the conversation as both method and form for staging documentary material for theater and film. 

    The Raft reunites seven people who were all part of a social experiment crossing the Atlantic on a raft in 1973. The film mixes archive footage from the original journey with scenes shot in a studio, where participants share memories onboard a scenographic replica of the real raft.

    In The Invisible Adventure three characters – a scientist, a video artist and a transplantation patient – meet for an intimate conversation on identity and transformation. The performers who interpret the characters through repeating dialogue from a sound script in hidden ear-pieces, sit together with the audience members in a circular scenography, where there is no separation between stage and audience seats.

    Both the film and the play are using the staged conversation as a shape for the storytelling and share similarities in their visual expression with wooden scenographies set in a black box studio environment. In the film it is the real people from the raft journey who reunite 43 years later in the studio. In the play the script is based on three separate interviews with people who have never met, but who are interpreted by performers.

    The research project will be finished and presented publicly in January 2024. The film and play will be presented together with the release of the book at Gothenburg International Film Festival in collaboration with Gothenburg City Theater.

    Fulltekst (pdf)
    The book: Iscensatta samtal (Staged conversations)
    Download (pdf)
    Registreringsblad
    Download (mp4)
    The raft
    Download (mp4)
    The invisible adventure
  • 5.
    Røed, Ellen Johanne
    Stockholms konstnärliga högskola, Forskningscentrum. Stockholms konstnärliga högskola, Institutionen för film och media.
    Entian, Patrik ()
    Liden, Signe ()
    Image as Site: THE RIG2024 (oppl. 100)Bok (Annet (populærvitenskap, debatt, mm))
    Abstract [en]

    By appropriating the concept of site from the discourses of site-specific art and the concept of field from sound art, and applying them to the moving image, the project Image as Site explore the potential of video art for enabling certain elements of performance that appear in these discourses. The research originates from an understanding of video as a particular mode of inquiry that activates relationships between bodies, images, and places. The project expands this understanding and engages it to create meetings between visual arts and film and media practices. 

    Over a period of four years these aspects of the moving image has been approached through artistic processes, means and methods involving fieldwork, studio work, discursive activities as well as the development and dissemination of artworks and reflection. At the centre of the project, has been the continuous development of a camera rig, extended and developed through the artistic practice of visual artist and professor in Film and Media Ellen J Røed and in close dialogue and collaboration with research assistant and cinematographer Ashley Briggs and co-researcher and artist Signe Lidén. This rig is presented, and its development traced, through this publication. 

  • 6.
    Røed, Ellen Johanne
    et al.
    Stockholms konstnärliga högskola, Institutionen för film och media. Vetenskapsrådet.
    Lidén, Signe
    Image as Site: KOMPASS2024 (oppl. 100)Bok (Annet (populærvitenskap, debatt, mm))
    Abstract [en]

    KOMPASS, an artistic collaboration between Ellen J Røed and Signe Lidén, emerged as a separate project strand in the artistic research project Image as Site at Stockholm University of the Arts. 

    In the project Ellen Røed and Signe Lidén have developed a method for field recording that combines sound and image in a distinct form of attentional (aesth)ethics. They explore how instruments, time and movement are included in and affect the relationships between bodies, images and places, between experience and representation, in various forms of field recordings. Their collaboration resulted in an exhibition at Trafo Kunsthall in Asker, Norway, March 12th- April 24, 2022 which is presented and reflected upon in this publication.

    This publication includes a text which was originally written for a pamphlet distributed by Trafo Kunsthall in 2022, edited by Peter Dean. It was rewritten and extended for this publication which includes photos by Peter Dean, Ellen Røed and Signe Lidén. Editor Rune Søchting was a conversation partner throughout the project.

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