NATALIA: Stadium World Tour examines through the lens of contemporary dance performance within large-scale popular music events. Situating the tour within the broader discourse of concert dance, spectacle, and popular culture, the study navigates how choreography functions not only as entertainment but as a critical tool for narrative construction, identity expression, and audience engagement. Through analysis of selected performances, choreographic structures, rehearsal processes, and spatial dynamics, the research explores the integration of commercial dance vocabularies with theatrical and cinematic aesthetics. The study contributes to mass media contexts and the evolving place of choreography in global entertainment industries.