‘Alanisse’ is a performance by Maya Giraudet and Saga Ivéus Wenglert, putting different forms of synchronisation in the center to explore language, speech, listening and (mis)communication. The performance is framed as a game for two players, with the purpose of making the third entity Alanisse appear and perform. During the game Alanisse speaks to, through and with the performers and the audience. This essay investigates the role of synchronisation and the various forms it found within this project.