My storytelling is a therapeutic somatic artistic process, specifically focusing on feminist methodologies and diasporic experience. I am building living stories, in animate environments. I investigate absence to hold what lingers just beyond the frame.

I ask: In what ways can feminist narrative structures reframe this absence? And what role does language, translation, and the construction of new language play in this methodology.  

My master's artistic research builds on my adaptation work as it is central to my practice. In diaspora, one translates one’s experience to others, in a state of hyper-vigilance. 

I intend with Alchemy of Fragmented Rooms to contribute to the decolonisation of my artistic field through giving voice to diasporic stories coming from a tacit and explicit knowledge.