Film editing as an artform is mostly driven by the images and audio from the film shoot. The goal of this research project is to illustrate the importance the sound design and film score can play in the final edit of a film.By allowing sound to influence the pacing, structure, and emotional tone of scenes before the edit is locked, the process opens up new creative possibilities. Instead of treating sound as a layer added after picture editing, this approach positions sound as an integral part of the storytelling process from the very beginning.Through practical experiments in various short film projects, this research demonstrates how early collaboration with sound designers and composers can reshape editorial decisions affecting shot length, rhythm, and even narrative clarity. The results suggest that when sound actively leads the editing process, it not only enhances atmosphere and meaning but can redefine the overall cinematic experience.This challenges traditional linear workflows, revealing an alternative method where editing becomes as much about listening as about seeing.