This paper reflects on the process of developing an artistic role from a feminist perspective, focusing on methods and approaches used to imbue a young female character with agency and drive—even when these qualities are not fully articulated in the storyline. It examines how an artist can draw inspiration from existing operatic characters to construct a new role, demonstrating how this process benefits both the performer and the character being developed. Specifically, the paper explores the challenges and transformations involved in reinterpreting the character of Princess Ilia from Mozart’s Idomeneo, using Susanna from Le Nozze di Figaro as a key influence to enhance Ilia’s agency and motivation. The research concludes in a performance that integrates these findings, premiered on April 17th, 2026. This paper also reflects on the artistic process and the outcomes of the performance, offering insights into the intersection of feminist interpretation and operatic character development.