This essay is part of my Bachelor’s degree project called How To Make Room For Moving?. 

It consists of two parts. The first part is a conversation between four fictive characters about the experience of the performance How To Make Room For Moving?. The second part is a collection of texts in different formats written during, after and from the physical work in the studio. 

How To Make Room For Moving? is a dance that practices ways to reach beyond the forms I know, to listen to more things at once and to build a real trust in the body. It involves going to the studio day by day and filling it with dancing. When I leave, I observe what remains. Something is piling up, there in the empty space. When I return, I ask: how to make room for moving today?