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Hope for the Future
Stockholm University of the Arts, Department of circus.ORCID iD: 0000-0002-4470-0952
2022 (English)In: Voices ein Magazine des CircusDanceFestival, Vol. 3, p. 26-35Article in journal (Refereed) [Artistic work] Published
Abstract [en]

Amidst the fourth industrial revolution, the sixth mass extinction, global warming, and a world pandemic, humans face an increasing amount of complex and challenging crises on planet Earth. Over the years 2020 and 2021, the performing arts sector has been paralyzed and now in 2022 we are oscillating between coming back to normal and moving to a new normal. Our modes of creation, production, and dissemination have been disrupted. On a larger eco-socio-political scale, during the pandemic, the impacts of human activities on Earth seem to have been made more distinctly visible, inviting us to ask: what does it mean to be human today? More specifically, however, the Covid-19 pandemic is forcing circus artists to revise how we work and think about circus arts. What does it mean to be a circus artist today? How can circus arts remain relevant? And what connections might circus arts have with the wider question of human involvement in the world?

Place, publisher, year, edition, pages
Köln: Overhead Project , 2022. Vol. 3, p. 26-35
Keywords [en]
circus, circus arts, contemporary circus, circus research, artistic research, composition, new materialism, posthumanism, posthuman ethics, hope
National Category
Performing Arts
Research subject
Artistic Practices
Identifiers
URN: urn:nbn:se:uniarts:diva-1729OAI: oai:DiVA.org:uniarts-1729DiVA, id: diva2:1848800
Available from: 2024-04-04 Created: 2024-04-04 Last updated: 2025-09-10

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VOICES III: Re-Thinking Objects

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CiteExportLink to record
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Citation style
  • apa
  • ieee
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Language
  • de-DE
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  • en-US
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More languages
Output format
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